Vampire Movies with Bite

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Written By: Brandon Hale

In my last article, I talked about how modern vampires have been “de-fanged.” There are, however, many movies (old and new) where vampires still act like vampires.

This is my list of vampire movies that still have some bite. The vampires in this list don’t sit around crying about their horrible lives. They’re still villains. They’re still monsters. And since we’re all horror fans here, I think we can agree that it’s fun to see a monster act like a monster.

One note: These aren’t reviews of the movies themselves. This is simply a list of movies with vampires that are still… well… scary.

Fright Night

Jerry Dandridge is quite possibly the coolest vampire to ever roam the night. His charm, humor, and sadistic nature make him an absolute joy to watch… but you definitely wouldn’t want him as a neighbor. I personally recommend the original Fright Night. I didn’t hate the remake, but (in my opinion) nobody can top Chris Sarandon as Jerry Dandridge.

The Lost Boys

“Now you know what we are. And now you know what you are. You'll never grow old, Michael. And you'll never die. But you must feed.”

When David said this line as he wiped the blood from his mouth, you could see one thing in his eyes: Joy. These guys love being vampires, and Kiefer Sutherland portrays that wonderfully.

From Dusk Til Dawn

If you’re looking for monstrous vamps, this is the movie for you. They are hideous, evil, and they come in hordes. The vampires may not be scary in the traditional sense, but they are without a doubt fun to watch.

‘Salem’s Lot

Yes, this is a TV movie. Yes, it can be incredibly cheesy at times, due to its age. Yes, the lead vampire (Barlow) is nothing like he is in the book.

But when that Glick kid floats up to the window and starts scratching and whispering, “Let me in,” you have a truly chilling vampire scene. And when the vampire is sitting in that rocking chair, saying, “Teacher,” it’s impossible to deny the creepy-factor.

Bram Stoker’s Dracula

This movie does have the standard romantic angle (which I don’t like; it’s not in the book at all), but the vampires in this movie are classic. Dracula is really the least scary vampire in the movie. His “brides” are eerie and when Lucy enters her crypt carrying a baby… that is a genuinely scary movie moment.
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That’s five classic films where vampires act like vampires, but this list is far from complete. There are many, many more. In modern films, they’re harder to find, but they’re definitely there (30 Days of Night comes to mind). If I missed any that you feel should definitely be included in this list, feel free to list them in the comments section (or even on the Facebook page). We’re definitely interested to know what you consider the best vampire movies that still have some teeth.

Image source:

http://www.geeklegacy.com/flashback-friday-fright-night-1985

How Anne Rice Accidentally De-fanged the Vampire

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Written By: Brandon Hale

Let me start by saying I loved Interview with the Vampire (both the book and the movie). I think Anne Rice told a great story and gave us an interesting twist to the vampire mythology. Lestat is a great character. Louis is genuinely interesting as a vampire who hates what he has become, especially considering this was first published back in 1976.

She didn’t invent the idea of a vampire who is regretful and sympathetic, but she almost certainly brought the concept to mainstream audiences. Back when she wrote that book, vampires were generally seen as monsters to be hunted down.

The trouble came when Interview with the Vampire was became a huge hit.
It’s much like Night of the Living Dead. It was a movie that wowed audiences. It was creepy in tone and had a genuinely good story. It was so good, in fact, that it spawned an entire genre of films… and now, several decades later, we have movies about hillbilly zombies on the moon.

That’s the curse of having a successful story. It gets copied, and those copies are rarely as good as the original. As the genre grows, the quality always seems to diminish. And really… that’s perfectly fine. Sometimes the bad rip-offs are incredibly fun. They don’t make the good movies go away… they just accompany them.

With Anne Rice, however, it was a little different. She didn’t spawn a new genre. She redefined a character type to mainstream audiences. While it’s not her fault at all, the result is that we now have a new popular view of what a vampire is supposed to be.

And it’s a view I’m not particularly fond of.

Louis was a great character because he was a freak. He was the only vampire that hated being a vampire. Every other vampire in that first novel loved it, even Claudia. Now, it seems like most modern vampire stories have to have a troubled vampire protagonist that’s a “good guy.” This good vampire has become the norm instead of the exception.

The pinnacle of this progression is Edward Cullen. Let’s think about this… Edward has unlimited strength, he never dies, and he never harms a human being… and yet, he’s always upset about his “horrible” condition. The worst thing Edward has to live with is the fact that he can’t just give in to his every craving. Well, guess what? We all have to deal with that, but we don’t get to be immortal super heroes.

I don’t know about you folks, but I’m ready to see old fashioned monstrous vampires come back to the forefront. There are some great movies – old and new – where vampires are still monsters. You just have to weed through an ocean of “pity me” vamps to find them.

With that in mind, in my next article, I’ll be giving a list of vampire movies that still have some bite. If you have any you’d like to see added to that list, feel free to suggest them in the comment section of this blog.

Author’s note: I don’t think there was actually a movie about hillbilly zombies on the moon, but now I kind of want to see one.

These undead being have been proven to have much bite...

The Woman in Black (2012) Netflix Review

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Written By: David Roden

"I believe the most rational mind can play tricks in the dark.”

Unfortunately for Author Kipps (Radcliff) there are no tricks here, just a pissed off ghost and a great deal of sadness.

I want to start by saying I have not seen the original TV movie. This will not be a comparison of the two. I have heard great things about the original, so I’ll be watching it as soon as I can get my mitts on it.

The story follows a lawyer from London who is sent off to go try and sell an old house. Before he heads out we meet his son, played by his Radcliff’s actual godson. They did that to make the relationship between the two feel more genuine. It worked.

From the moment he arrives in town there is a feeling that something is off. They did a great job in creating an atmosphere of discomfort. It’s obvious the locals don’t want him there at all. I won’t go too far into the actual plot.

It’s very rare that I actually get creeped out watching a ghost story these days. The last time was Insidious and I can’t even remember a time before that. It’s all so formulaic these days. It goes a little something like this: angry ghost, jump scare, sad protagonist, jump scare, dark secret, jump scare, and a rushed attempt at appeasing the ghost…and a jump scare.

Jump scares are in my opinion the lowest form of scaring someone…there were five. With this wonderful, creepy atmosphere, there is no need for even one. Fortunately, that alone isn’t enough to make me like this any less.

Location, location, location; from the streets of London to the old house itself, these locations stepped forward and stole the spotlight. That might have something to do with how beautifully they were shot. Most notable were the aerial shots of the house and the road leading to the house.

I say give this one a chance. What it lacked in gore it made up for with genuinely creepy moments. So maybe they reached back in time for the majority of their scares, somehow it worked. There isn’t anything new here but from what I hear that was intentional.

The Woman in Black

Tucker and Dale vs. Evil (Netflix Review)

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Written by: David Roden

“I just think that so many conflicts and problems in the world are caused by a lack of communication, ya know?”


Here we have the perfect example of taking and old genre cliché and finding a way to do something completely new with it. At first glance it may seem like another in a long line of b-horror films that can easily be forgotten, but that isn’t the case here.

T & D isn’t a film about a group of teenagers camping in the wood and being terrorized by “hillbillies.” It’s about what happens when you combine stereotypes with a complete lack of communication or an unwillingness to listen. It’s a commentary on not letting your pre-conceived notions of people rule you.

Even though this movie’s title features two names, it is really only about one…Dale. Dale is one of the most likeable characters to have ever graced my TV screen. He drives this story with his heart…and jokes. While there is a fair share of violence and gore found on the steps of this cabin in the woods, it’s the heart and humor that made this movie what it is. Tucker plays his role and he plays it well, but he is still just another side character in the grand scheme of things.

Once again we see something that impresses me every time: The main theme of the film being explained in one line or one scene. In this case it’s the quote at the top of the page. It makes me feel like the man who made this really understood and cared for the material.

This film is a combination of equal parts violence, humor and intellect. It really delivered on all counts but I shouldn’t be surprised, Magnet doesn’t release bad genre films (Let The Right One In, I Saw The Devil). If you are unfamiliar, head on over to their website and look at their archive.

I really only had a problem with Chad. Chad was supposed to make you hate him and I did. Chad was also supposed to make you empathize with his struggle…I did not. Even with his awesome backstory sequence I couldn’t bring myself to feel a damn thing for this kid. I just can’t decide if it’s because of his double popped collars or my love for Dale.



Netflix: 4.1/5
David: 4.5/5

Other Netflix Reviews:

The Human Centipede 2 (Full Sequence) NetFlix Review

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No Quote for this one.

What to say about a film that happily skips it’s way into the depths of depravity displayed here? I cannot (will not) say I liked it. You don’t like a film like this. There are things about it I will admit to liking but I will never say I liked the film itself.

The first film is a poor example of shock cinema. I sat through the first one and when it ended I just kind of forgot about it and moved on with my life. I have not been so lucky with this one.

To those of you that haven’t seen it, go watch it if you had fun with A Serbian Film.  If not, see my other reviews.

SPOILERS!! SPOILERS!!! SPOILERS!!!!

In the first film we had a medically trained professional (madman), here we have and fanboy to the millionth degree. This in my opinion was the proper way to continue this story. The fact that he has no training is what leads to the death of a lot of his victims. He doesn’t intend to kill them but he has no clue what he is doing.

He never talks. That makes me think he may be mentally handicapped which almost makes me feel sorry for him.  That combined with the abuse from his father and his criminally insane mother, make for the perfect victim turned victimizer scenario. You feel bad for him but hate the things he does or even who he is.

I love violent, dark, gory, bloody, depraved films but even I have my limit. The scene where the pregnant woman tries to escape and ends up smashing her newborn baby under the accelerator pedal was just a tad too much for me. I can’t decide whether to be impressed or disgusted.

I see absolutely no reason to watch this film more than once.

Netflix: 1/5
David: 1/5
 

Other Netflix Reviews:

The Woman

Kidnapped

The Woman Netflix Review

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Written By: David Roden

“You don’t really think I would want to miss out on heaven, do you?”

Great horror film sequels do still exist. Over the past few year I have been subjected to some truly terrible sequels, The Woman is my savior. This film is dark, gruesome, original and at times funny. That is basically every thing I look for in a horror film these days. Leave it the director of May (a disturbing film about an outcast) to break this cycle.

Lucky McKee’s The Woman, which is the follow up to The Offspring, an adaptation of the Jack Ketchum novel of the same name is a film to be reckoned with. This is very gruesome stuff, only intended for those us that can stomach it with a smile. If you can see through the gore and violence you will be treated to a very dark family drama with complex characters and interesting direction.
The Woman follows the surviving member of a clan of caveman like barbarians that were traveling up and down the coast of Maine, breaking into homes, murdering, and eating families. We pick up the story with her wounded and alone in the woods. A local hunter captures her and chains her up in his cellar with the intention of civilizing her.

The first thing that struck me was a beautifully shot title sequence. From there we move on to the family that will be holding her captive. An instant mood change from dead serious to fun lets us know that this movie will (hopefully) be a dark comedy. This is a complete departure from The Offspring, which was serious at all times. I feel this was a great way to bridge the two films.

The next thing to catch my eye is a scene where the patriarch of the family first finds the woman bathing herself in a stream. We see her through the scope of his rifle as he watches her. It’s at this point that something unexpected happens. Rock music begins to play as we take on his perception of her: a sexy naked woman bathing herself in slow motion. She dresses herself in what little clothing she has and walks away but for a split second we see her naked again. I believe this is to show how the hunter feels about her.

Sean Spillane's score for this film is absolutely amazing. I was expecting a traditional score but instead got unique songs that somehow completely reflect the mood of the scene. This score is one that I listen to daily. I certainly hope to hear more from this man soon. 

This movie takes an “out there” concept and grounds it by using the real world family problems. The interactions between the family members could have been a film on it’s own.







One thing that always impresses me is when a director knows enough about his movie that he can summarize the entire film with one line or one dialog-less scene. In this case they used the latter and it could not have been more effective.

I have seen The Woman a total of 7 times since I first got my grubby little fingers on it and I will be surprised to see a better horror film this year. Enjoy.

Netflix:3.3/5
David: 5/5

Other Netflix Reviews:

The Devil's Rock
The Human Centipede 2

Kidnapped Netfix Review

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Written By:
David Roden

“Dad, they’re already here. They’re already here and they shot mom!!”

Let me just get this out of the way, I LOVE HOME INVASION FILMS. If done correctly a home invasion can be devastating (Inside). The whole idea is that you don’t have to have done anything wrong or be anywhere you aren’t supposed to be in order to suffer. The idea of someone coming into your home to deliver these horrid acts is more than chilling, it’s an attack on your very own sense of security.

Kidnapped is not the most violent film I’ve ever seen but I feel they found a good level of violence for this film’s purposes. It never feels cheesy or gratuitous, while still being able to shock the audience. I myself am as desensitized as they to come to on-screen violence but still found my jaw hitting the floor on occasion.

More important than all the gore and shock factor being tossed about is the technical achievements of this film crew. With a runtime of 85 minutes this movie has only 12 shots. Yes, you absolutely read that correctly. 12 shots. I support any filmmaker that wants to test his technical prowess with extended takes likes that.

What makes it the most impressive to me is the subject matter. Showing that level of violence without cutting away makes it feel so much more ruthless. In typical horror films they cut quickly to avoid you seeing too much. Here they used different ways to achieve this. Instead of seeing a character get hurt we hear it as we following a different character into a different room. This caused my imagination to do terrible things to this woman to cause her to make those noises. I love it when they do that.

I was very pleased with all three of the thieves. We’ll call them Head Thief, Strong Thief and Young Thief. They all played their part to keep the momentum of the film up. I was impressed with the relationship between Strong Thief and Young Thief. ST is clearly a bad ass who gives zero fucks and enjoys eating the family’s food and doing blow. YT is a compassionate young man who still has faith in people and wants nothing more than to keep the family safe. Watching those two interact is just priceless. Head Thief did what head thieves do, he handled shit.

If you want a tense, violent home invasion film, this is for you. No it isn’t a perfect film but it’s expertly shot and it will make you feel something for at least one of the characters. This is one I will be revisiting from time to time for sure. Enjoy




Netflix: 3.1/5
David: 4/5

You like this review? Then why don't you read another great Netflix reviewThe Woman .