Wednesday, November 18, 2015

Remember When Dennis Hopper Was on Letterman Talking BLUE VELVET (And TEXAS CHAINSAW 2)?

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Remember When Dennis Hopper Was on Letterman Talking BLUE VELVET (And TEXAS CHAINSAW 2)?

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Flashing back to a vintage Letterman interview with the late, great Dennis Hopper discussing Lynch’s BLUE VELVET.

I’m really having fun with these “Remember When”  blasts, SHOCK’s ongoing series in which I dig through the dense, often treacherous YouTube jungle in search of vintage clips featuring mainstream pop culture outlets discussing horror and dark fantasy film culture…usually negatively.

It’s partially an exercise in nostalgic self-indulgence, but it’s also fascinating to map the lifespan of a film, from common perceptions upon release to the way we see the picture now. Horror films need at least a decade to become what they will become. If a picture can find its cult and endure beyond that initial ten-year window, then it’s immortal. More contemporary critics should consider this when they decimate a new genre film…

Speaking of immortal, we lost actor, director and iconoclast Dennis Hopper in 2010 and, though sad, it wasn’t exactly a tragedy. Hopper’s intense, chemically-drenched lifestyle in his 1960’s/70’s heyday is the stuff of legend and should have rightly wiped him out 30 years earlier. But in 1985/86, the man had a virtual professional rebirth, getting clean and sober and starring in three coal-black motion pictures that were diverse, bizarre and unforgettable: THE TEXAS CHAINSAW MASSACRE PART 2,  RIVER’S EDGE…and David Lynch’s BLUE VELVET.

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And although CHAINSAW and EDGE gave Hopper meaty roles, with ample room to amplify and explore his own storied strangeness while etching rich characters on-screen, it was his work as the deranged, perverted and completely dangerous Frank Booth in Lynch’s thundering surrealist psychodramatic noir that really put him back on the map.

It put Lynch back on the map too, after the crushing defeat that was 1984’s DUNE. BLUE VELVET put the weirdness that Lynch was experimenting with in his early short films, his 1978 industrial-strength shocker ERASERHEAD and the steampunk-tinted melancholy of his Mel Brooks-produced THE ELEPHANT MAN, into sharp, sickening focus and truly defined the style that he would exploit over the next three decades making movies and art.

And in the eye of BLUE VELVET’s storm is Hopper, whose lethal Frank sucks on the titular fabric while huffing gas through a ventilator and sexually assaulting the woman (Isabella Rossellini) he is obsessed with. Simply put, it’s the ultimate Hopper performance in the ultimate David Lynch joint.

So with that, let’s dial back the clock to 1986. The show was NBC’s Late Night With David Letterman. Letterman was at his peak of popularity and in the prime of his celebrated edge. No one was funnier, weirder and cooler than 80’s Letterman. Well, except 80’s Dennis Hopper…

In this amazing clip, Hopper and Letterman – who is obviously in awe of Hopper’s performance – get into great detail discussing his turn as Frank Booth in BLUE VELVET, revealing some great insight into how Hopper helped bring that character to life. He also discusses his work in RIVER’S EDGE and even touches on CHAINSAW 2.

It’s a great interview. And will make you want to watch BLUE VELVET again immediately, something I plan to do as soon as I press ‘publish’.

Enjoy…

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SyFy Channel Greenlights Horror Anthology Series, Channel Zero

Horror Movies, Horror News, Horror Reviews | Anything Horror
SyFy Channel Greenlights Horror Anthology Series, Channel Zero
According to Variety.com, the SyFy Channel has given the greenlight to a horror anthology series, CHANNEL ZERO. The series will feature a different story each season, and will begin with CHANNEL ZERO: CANDLE COVE, based on the story written by Kris Straub. [CANDLE COVE] is based on a man’s obsessive recollections of a mysterious children’s television program from the 1980’s, … Continue reading

Filmmaker Paul Hough Unleashes Terrifying New YouTube Channel

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Filmmaker Paul Hough Unleashes Terrifying New YouTube Channel

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DTA1 Filmmaker Paul Hough launches terrifying viral video channel.

Writer/Director Paul Hough (THE HUMAN RACE, son of THE LEGEND OF HELL HOUSE director John Hough) has just announced his latest project…

DON’T TURN AROUND is a terrifying new YouTube channel launched by the filmmaker and his collaborators in a bid to create original, terrifying short horror films and bursts of audio/video strangeness.

“One of the unique things we’re going to do is create horror videos to go viral,” says Hough.

“Videos that aren’t real, but that people will think are. We will not only give birth to Creepypastas but place these videos innocuously across the internet. Only those watching DON’T TURN AROUND will be in on it and know the truth.”

You can watch DON’T TURN AROUND’s first video, DADDA below and the latest viddy, THE VAN below that…

For more on DTA go to the official site.

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NECA’s Life-Size Facehugger & Egg: What Every Horror Fan Needs!!

Horror Movies, Horror News, Horror Reviews | Anything Horror
NECA’s Life-Size Facehugger & Egg: What Every Horror Fan Needs!!
With Christmas quickly approaching I know my family often has trouble finding great horror-themed gifts for me. This year, though, their shopping is done before it began. NECA has announced that they will be making a life size Xenomorph Egg that a life size Facehugger can fit inside. YES!! This is a must have in my list. Unfortunately, … Continue reading

Trailer Drops for the Possession Tale, Anguish

Horror Movies, Horror News, Horror Reviews | Anything Horror
Trailer Drops for the Possession Tale, Anguish
I think it is pretty safe to say that I’ve made more than a few jabs about how stale the zombie sub-genre has gotten, and about how overused and annoying most found footage films have become. These two sub-genres need some new blood for sure. But what about the possession sub-genre? This horror trope has been … Continue reading

Tuesday, November 17, 2015

FRANKENSTEIN FAIL! The 5 Worst Frankenstein Flicks Ever!

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FRANKENSTEIN FAIL! The 5 Worst Frankenstein Flicks Ever!

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FrankensteinFail2 SHOCK digs up 5 failed Frankenstein films that will blow your mind.

With the November 25th release of director Paul McGuigan’s Max Landis-scripted, ultra-revisionist take on the house that Mary Shelley built, VICTOR FRANKENSTEIN, upon us, fright fans are wondering just what in the blue blazes to expect.

Certainly from the trailer, we can glean that Fox is trying to channel some the kinetic energy of Guy Ritchie’s overly stylized SHERLOCK HOLMES movies into their bouncy, multiplex-friendly riff on the FRANKENSTEIN tale, with pretty actors (Daniel Radcliffe and James McAvoy) making whatever bio-horrors happen easier to swallow.

But no matter how VICTOR FRANKENSTEIN fares, no matter how critics or audiences respond to its charms, it’s a safe bet that it will be BATTLESHIP POTEMKIN compared to the five Frankenstein films we’ve selected below.

Indeed readers, these are the worst FRANKENSTEIN movies we’ve ever seen,  bastardized insults to ” The Modern Prometheus” of Shelley’s text and slipshod excuses to pervert it to suit their cash-grabbing ends.

Fun? Sure! Good? Well…you decide. Here we go…

FRANKENSTEIN’S DAUGHTER (1958)
Before he accepted the offer to sail to BLOOD ISLAND and become a major player in the emerging Filipino genre flick scene, John Ashley was being groomed by AIP to be a teen heartthrob. And to be honest, his James Dean-meets-Elvis-lite presence in Richard Cunha’s fun but dumb revisionist Frankenstein riff FRANKENSTEIN’S DAUGHTER, is one of its strengths. Donald Murphy plays Oliver Frankenstein, hiding out as an assistant to kindly professor and secretly turning his cutie pie niece (Sandra Knight) into a buck-toothed monster that runs around at night spooking kids. Meanwhile, he’s quietly stapling together a new monster from pieces of murdered men. He’s a bad dude. And this is most certainly a bad Frankenstein movie…

DR. FRANKENSTEIN ON CAMPUS (1970)
This bizarre Canadian film is a daft excuse for a horror movie and while it’s a flunk as a Frankenstein flick, it sure is a doozy of a head trip on its own terms. Originally titled FLICK (we know this because the word FLICK remains on the bottom corner of the screen for the entire opening of the picture), DR. FRANKENSTEIN ON CAMPUS stars future Canadian TV weatherman Robin Ward as a young Baron Frankenstein, blacklisted from his native Austria and hiding out as a student at the University of Toronto. There, he conducts brain experiments on cats and dogs and has weird psychedelic sex with his comely girlfriend before launching a reign of terror on his classmates and the faculty. Oddly, the similarities between this and RE-ANIMATOR are interesting (and almost certainly accidental). Totally obscure and truly fascinating, this is a super-silly Shelley stunt that stands alone.

DRACULA VS. FRANKENSTEIN (1971)
Starting production as THE BLOOD SEEKERS, this turgid Al Adamson offering stars declining (rapidly) Hollywood star J. Carol Naish as a descendant of the original Frankenstein who reluctantly teams up with the worst Dracula in cinema history: a bearded, white-faced ponce who says all his dialogue through an echo-chamber and is played by a dude named Zandor Vorkov. Frankenstein’s assistant is played by a boozed-to-oblivion Lon Chaney Jr. and the great Angelo Rossito from FREAKS and MAD MAX 3 adds a dash of class to what is a typically tacky bit of Adamson oddness. But man, what a cast, including TWIN PEAKS vet and Adamson regular Russ Tamblyn and monster magazine legend Forry Ackerman.

FRANKENSTEIN’S CASTLE OF FREAKS (1974)
On the surface this Italian exploitation offering looks like it can’t lose. Oscar winner Michael Dunn is in it as a horny dwarf, the great Rosanno Brazzi operatically slums to play Dr. Frankenstein, Eurotrash legend Boris Lugosi (aka Salvatore Baccaro) plays a monstrous caveman and the entire pudding is stirred by international genre movie kingpin Dick Randall (LIVING DOLL, PIECES). But my God, is this flick dull. I’ve seen it a dozen times (because I have serious problems) and I cannot remember anything about it, save for a bit of topless hot springs frolicking and some reasonably handsome production design. Frankenfail supreme!

FRANKENSTEIN ISLAND (1981)
By the early 1980’s, Hollywood icon John Carradine would sign on to star in any piece of crap offered to him. FRANKENSTEIN ISLAND isn’t any piece of crap, however. It’s sub-atomic dump of the lowest order and it comes courtesy of Jerry Warren, the dude who gave the world another dead-things junkfest in 1960’s TEENAGE ZOMBIES. Carradine stars as the disembodied, floating head of the original Dr. Frankenstein who gives sage advice to his daughter, Sheila Frankenstein Von Helsing(!), a nutter who is up to no good on the titular island. Cameron Mitchell wanders around in a daze in what is honestly one of the most insane movies I have ever seen. Recommended as the ultimate F*** you to the Frankenstein mythos.

What are some of the worst Frankenstein films you’ve ever seen?

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Blu-ray Review: ZOMBIE HIGH

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Blu-ray Review: ZOMBIE HIGH

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ZOmbieHigh2 Obscure and underrated 80’s horror satire ZOMBIE HIGH comes to Blu-ray.

I avoided ZOMBIE HIGH for years as it was clear from the (mostly terrible) reviews at the time that it was not really a “proper” zombie movie at all. No virus. No apocalypse. No flesh-eating. No thanks. And since, circa 1987, horror fans wanted these kind of “normal” zombie films, I wasn’t the only one who balked and the movie remained either unseen and unloved for decades.

But recent history has seen enough shambling Romero-riffs to last 10 lifetimes and now, ZOMBIE HIGH seems downright revolutionary. It’s a satirical amalgam of “dead teenager” flick, BODY SNATCHERS-esque paranoia parable and mad science melodrama, with rich production values, a decent score, a crackerjack script and a slew of solid performances. If it had been released a decade later, it would have been a minor classic.

But now, thanks to Scream Factory, you can rediscover (or, like I just did this morning, discover) ZOMBIE HIGH’s ample charms. The imprint will release a Blu-ray/DVD combo pack on December 15th and despite being bereft of extras of any kind save for a brief trailer, it’s a typically handsome SF presentation of a picture that was, until now, orbiting almost total obscurity.

Filmed under the more appropriate title THE SCHOOL THAT ATE MY BRAIN, ZOMBIE HIGH sees the bright-eyed Virginia Madsen (already a star but soon the achieve cult infamy with her role in CANDYMAN 5 years later) starring as Andrea, a brainy and beautiful student who is accepted into now-coed, previously all-male, elite prep school (NOT a high school, incidentally), much to her edgy boyfriend’s initially jealousy-steered dismay. As she and her newfound friends (including a pre-TWO MOON JUNCTION and pre-pre TWIN PEAKS Sherilyn Fenn and future FREAKS AND GEEKS creator and BRIDESMAIDS director Paul Feig) roll their eyes at their stiff classmates and weirdly ritual-obsessed teachers, Andrea begins to suspect all is not right at the school. She is, of course, correct. Turns out the faculty is actually a sect of youth-addicted quasi-vampires, that have been extracting parts of students brains for decades to consume and maintain their vitality while the kids are rendered pie-eyed, emotionless drones.

Shot in brightly lit rooms and exteriors, ZOMBIE HIGH isn’t particularly scary but it is ample weird, stylish and entertaining with many asides that would be more at home in a European drama rather than a lowbrow 80’s horror film. The satirical jabs at the education system are obvious, but never heavy-handed and never once do they overtake the thrust of the often surprisingly serious narrative. Credit director Ron Link for focusing not only on the arch tone of the picture but allowing his actors to, y’know, act (Madsen is really, really good here). Link (who passed away in 1999) was in fact an experimental theater director who worked with a slew of heavy hitting performers in his prime, including Robert De Niro. ZOMBIE HIGH was his only film and it’s a shame it wasn’t marketed better and didn’t find its audience upon release. With this classy new Blu-ray edition, let’s hope it finally does.

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